It’s a year to the day since Lauren John Joseph auditioned for Cover Her Face, back when it was not much more than a good idea with a bad working title. As they were in Berlin at the time, we did it over Skype, but even the inevitable picture breakup and dropped connections couldn’t conceal how the part should be theirs. Since finishing Cover Her Face earlier this year, Lauren John Joseph has been developing a tantalising new show at Battersea Arts Centre (The Last Night in the Life of Alexander Geist, which should hit the stage next year); jetting back
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Archives for Jacobean tragedy
A saucy and ambitious devil is dancing in this circle: the fascination of Antonio
Tom Campion talks to Daniel Fulvio about the challenges of playing Antonio in Inky Cloak’s queer adaptation of The Duchess Of Malfi. DF: How did you prepare for the role of Antonio? TC: This was a bit of a difficult one: when you prepare for a role, everything comes from the script. And although this adaptation was out there and bold, not a lot of the text was changed. That said, for Antonio, everything in his world was changed. And more so than any other character – apart from, perhaps, The Duchess. In Webster’s original, Antonio is in this world for the
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